The four multimillion-dollar musicals are all leaping to Broadway without a net because of their creators’ confidence in the material and, to varying degrees, skepticism that a tryout elsewhere is useful anymore. The Internet has made it impossible to fly under the radar at theaters in La Jolla or Seattle; bad buzz anywhere can reach New York theatergoers instantly, as was true last weekend when some bloggers picked apart the first preview of “Women on the Verge” only hours after it ended."Tastemakers" is a term that applies to two groups now: prominent critics / creative types, and a vengeful crowd with twitter accounts.
Tuesday, October 19, 2010
A fascinating look in last week's Times of shows that go straight to Broadway rather then getting regional tuneups. Most fascinating was little more than a side note in the piece as a whole: